With a side of nips:
Garrick Ohlsson
One cannot help but take notice when pianist Garrick Ohlsson
enters a room. At 6’4” and 260 pounds, he’s hard to miss. He is
possessed of a muscular style at the piano that matches his frame. One
of today’s top virtuosos, Ohlsson, age 64, was the first American to win
the prestigious International Frederick Chopin Competition in Warsaw in
1970. Over the subsequent years he’s embraced a broad range of
repertoire, yet Chopin has always held a place of honor, not just
because of the competition that launched his career. He grew up in New
York City at a time when all-Chopin piano recitals were standard
practice.
A 2003 profile in the New York Times by James Oestreich mentioned that Ohlsson lives in San Francisco with his companion, Robert Guter. While Ohlsson doesn’t like being labelled solely as a gay pianist, he doesn’t pretend to be otherwise. He is out and proud, and “I’m no coward,” he says.
No coward, indeed. As proof, late last year Ohlsson released Close Connections, a disc on which most of the music was written by gay male composers. I received this album as a Christmas gift, and I’m embarrassed that I’m just now listening to it (sorry, Rob!). It contains Triptych (1969), a solo piano piece by Louis Weingarden (1943-1989) written for Ohlsson. Weingarden also wrote a piano concerto (1974) for Ohlsson, and that composition was nominated for the Pulitzer Prize in 1977. Weingarden and Ohlsson were good friends, even roommates for a time. Also on this disc is Handwork, a piece for solo piano commissioned by Ohlsson in 1986, written by gay composer William Hibbard (1939-1989). Robert Helps (1928-2001), another gay composer, is represented by the solo piano composition “Shall We Dance”.
Of Sicilian and Swedish heritage, Mr. Ohlsson has long championed the finger-busting piano compositions of Ferruccio Busoni (1866-1924), going back to his days with his teacher Frida van Dieren, whom Ohlsson called ''a great-grand-pupil” of Busoni. ''I played my first Busoni when I was 12,'' he said. ''So I grew up with the legend.'' Mr. Ohlsson went on to win the Busoni Competition in Bolzano, Italy, in 1966, at 18.
Here we have Ohlsson’s performance of Chopin’s Etude #1, Op. 10, from the time of his winning the International Frederick Chopin Competition in Warsaw (1970):
A 2003 profile in the New York Times by James Oestreich mentioned that Ohlsson lives in San Francisco with his companion, Robert Guter. While Ohlsson doesn’t like being labelled solely as a gay pianist, he doesn’t pretend to be otherwise. He is out and proud, and “I’m no coward,” he says.
No coward, indeed. As proof, late last year Ohlsson released Close Connections, a disc on which most of the music was written by gay male composers. I received this album as a Christmas gift, and I’m embarrassed that I’m just now listening to it (sorry, Rob!). It contains Triptych (1969), a solo piano piece by Louis Weingarden (1943-1989) written for Ohlsson. Weingarden also wrote a piano concerto (1974) for Ohlsson, and that composition was nominated for the Pulitzer Prize in 1977. Weingarden and Ohlsson were good friends, even roommates for a time. Also on this disc is Handwork, a piece for solo piano commissioned by Ohlsson in 1986, written by gay composer William Hibbard (1939-1989). Robert Helps (1928-2001), another gay composer, is represented by the solo piano composition “Shall We Dance”.
Of Sicilian and Swedish heritage, Mr. Ohlsson has long championed the finger-busting piano compositions of Ferruccio Busoni (1866-1924), going back to his days with his teacher Frida van Dieren, whom Ohlsson called ''a great-grand-pupil” of Busoni. ''I played my first Busoni when I was 12,'' he said. ''So I grew up with the legend.'' Mr. Ohlsson went on to win the Busoni Competition in Bolzano, Italy, in 1966, at 18.
Here we have Ohlsson’s performance of Chopin’s Etude #1, Op. 10, from the time of his winning the International Frederick Chopin Competition in Warsaw (1970):
Love the first picture, and Op. 10 No. 1.
ReplyDeleteMême avec son string, je suis sûr que le n°1 reste bandant sur la plage..
ReplyDelete