With a side of terry cloth:
...and a generous serving of lads in the shower:
Out & Gay in the Jazz World
Billy Strayhorn (1915-1967) attended high school in Pittsburgh, while studying classical music on the side. His trio played daily on a local radio station, and he wrote a musical for his high school. He also wrote “Lush Life,” a jazz classic, while still a teenager.
At 23 his life changed completely when he met Duke Ellington, who was performing in Pittsburgh in 1938. Ellington was so impressed that he took him into his household, where he lived as part of the family. Strayhorn worked for Ellington for the next 29 years as an arranger, composer, pianist and collaborator until his early death from esophageal cancer. As Ellington described him, “Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine.”
Strayhorn was openly gay, but his association with Ellington helped protect him from discrimination. Until his death, Strayhorn continued a relationship with his partner, Bill Grove, who was Caucasian; however, they kept separate apartments.
Strayhorn influenced the career of Lena Horne, who recorded many of his songs. Strayhorn’s compositions are known for the bittersweet sentiment and classically infused harmonies that set him apart from Ellington.
Strayhorn to the rescue:
In a dispute over royalties in late 1940, ASCAP forbid its members from broadcasting any of their compositions over the radio. But Ellington, one of ASCAP’S most celebrated composers, needed radio broadcasts to promote record sales, which paid his orchestra’s salaries. Strayhorn rallied to save the day. During a hurried cross-country train ride to join Ellington in Los Angeles, Strayhorn (not an ASCAP member), got almost no sleep for six straight days, writing song after song after song. Strayhorn’s prolific, engaging new works kept the Ellington Orchestra afloat for months. When it was time for a new radio theme (Ellington’s own “Sepia Panorama” was still forbidden on the airwaves), Ellington chose Strayhorn’s “Take the A Train,” premiering it in early 1941. The rest is jazz history.
Queen Latifah (who lives in the Hollywood Hills with her partner Jeanette Jenkins) sings “Lush Life,” written when Strayhorn was a young, unseasoned song writer. Most performers say it’s difficult to sing and sounds like no other song in the standard repertoire.
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