Painter Charles Demuth (1883-1935) was one of the earliest American artists to expose his gay identity through forthright, positive depictions of homosexual desire. As a leader of the American Modernist movement, Demuth was best known as a pioneer of the precisionist style and as a master watercolorist. Self portrait (1907) at right.
Raised in a well-off merchant family, Demuth had the financial freedom to pursue his artistic vision without regard for public opinion concerning aesthetics or sexuality. Born in Lancaster, Pennsylvania, he studied painting at the Pennsylvania Academy of Fine Arts, where the realist tradition of former faculty member Thomas Eakins prevailed. Eakins was himself a painter of major works of homoerotic content.
In 1912, Charles began a relationship with Robert Locher, also from Lancaster, who was to become his life partner. After spending two years in Paris, the two men went to New York City, enjoying the bohemian lifestyle of Greenwich Village. They also embraced the summer artist colony of Provincetown, Massachusetts, where Demuth associated with leftist writers and artists committed to sexual liberation.
A watercolor series titled Turkish Bath (1916-1918), inspired by Manhattan's Lafayette Baths, suggested incipient homosexual contact, depicting men's mostly nude bodies suggestively arranged together.
Several exhibitions refused to include Distinguished Air, and Demuth responded by creating overtly homoerotic watercolors of sailors disrobing and fondling themselves. These works constitute a display of courage and self-respect that would not soon be repeated by other gay artists.
Demuth died in 1935 in Lancaster of complications from diabetes. He bequeathed his watercolors to his partner Locher and his paintings to his friend and fellow artist Georgia O'Keeffe. In 1981 a museum opened in the artist’s former home and studio (below) in Lancaster, PA, at 120 E. King Street.
More information at www.demuth.org
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