Michelangelo
Renaissance artist Michelangelo (1475-1564) was born in Florence as Michelangelo di Lodovico Buonarroti Simoni. His statue of David (1504) in Florence and his frescoes in the Vatican’s Sistine Chapel (1512), which took four years to complete, are among the most famous works of art in the western world. He worked until a few days before his death at the age of eighty-eight, leaving an important legacy in sculpture, painting, drawing, and architecture. So great was his fame that he was the first Western artist of whom a biography was published during his lifetime.
Many of his drawings, paintings and sculptures are of a homoerotic
nature, and he had relationships with many of his young models: Gherardo
Perini, the nobleman Tommaso Cavalieri, Cecchino dei Bracci and a young
male prostitute by the name of Febo di Poggio. He referred to Febo as a
“little blackmailer,” because Febo demanded money, clothes, and
assorted gifts in return for his love. Perini lived with Michelangelo
for more than ten years. Bracci was only thirteen when the sixty-six
year old Michelangelo fell in love with him. Two years later, when
Bracci died, Michelangelo was so devastated that he wrote epitaphs for
the youth’s tomb for an entire year, such as this example:
The earthy flesh, and here my bones,
Deprived of handsome eyes, and charming air,
Do yet attest how gracious I was in bed,
When he embraced, in whom my soul now lives.
Well, there you have it. Michelangelo’s correspondence, poetry and
diaries that refer to his passion for young men were suppressed for
centuries, and his love poems written to Cavalieri were censored by his
publisher, who changed the gender from male to female in order to avoid
scandal. Michelangelo was himself quite secretive, burning all of his
personal drawings and papers before he died. In one sonnet Michelangelo
wrote that the highest form of love cannot be for a woman, because “a
woman is not worthy of a wise and virile heart.”
Michelangelo painted and sculpted a lot of beefcake. The Sistine Chapel
ceiling is awash in paired male nudes. There are 48 naked boys depicting
cherubs alongside 24 mostly naked youths, 16 adult male nudes
supporting the Medallions, 16 bronze male nudes flanking the Ancestors,
plus the famous 20 Ignudi (seated males) depicted as young, completely
naked men. None of these figures has any relevance to a Christian
narrative. They are on the ceiling because Michelangelo was besotted
with masculinity. Pure and simple. Even his female figures had rather
masculine bodies, differentiated from the men only by their longer hair.
After 1534, Michelangelo turned his attention almost exclusively to architecture. He became the architect of St. Peter’s Basilica in Rome, which had already been under construction for forty years. The massive dome he designed for St. Peter’s is among the greatest architectural and engineering feats of its time; Michelangelo’s red chalk drawing of its trademark radial columns was discovered in the Vatican archives in 2007.
I know it's Sunday, but let's get our minds back on track, namely male tan lines:
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