Sunday, January 23, 2011

January 23

Architect to the Stars
Frank Israel, Gay Architect (1945-1996)

After traveling to Italy and working on the East Coast, Israel moved to Los Angeles in 1979. He taught at the School of Architecture at the University of California at Los Angeles and designed sets for Paramount movies (“Star Trek: The Motion Picture” and “Night Games”), private houses for a number of prominent gay and straight Hollywood figures and offices for independent film production companies. One of the "Santa Monica" architects, he was responsible for the Art Pavilion in Beverly Hills (1991) and the Fine Arts Facility at the University of California at Riverside (1994 - see photo at right). Among the private homes he designed were those of Robert Altman, Joel Grey, and talent agent Howard Goldberg and partner Jim Bean.

The 1991 Goldberg-Bean residence ((2029 Castilian Dr. in West Hollywood) was a landmark re-design of a ranch house as a series of pavilions linked by a long, blue curvilinear wall. Each of the pavilions faces toward a specific view of downtown Los Angeles, Hollywood, or Santa Monica. He used unusual materials: lead coated copper panels, mustard-yellow pigmented stucco, and fir plywood with redwood battens against concrete block walls.

The Eames Office (photo at right) at 901 Washington Blvd. in Venice Beach was used by Charles and Ray Eames from 1943 until Ray's death in 1988, when the building required extensive earthquake proofing. The husband and wife designers worked for decades from this renovated garage, and their enduring classic "Eames chair" was designed in this office. The building still stands after extensive remodeling of the interior and facade by Frank Israel. The street name, however, has been changed, so the current address is 901 Abbot Kinney Boulevard.

Once diagnosed with HIV, Israel worked hard to be imaginative and distinctive. He took greater risks in the profession and began educating people about living with AIDS. He was survived by his long-time companion, Thomas Haase.

Now back to the tan lines.




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