...meanwhile, back at the locker room:
...while our minds are on sports, tennis anyone?
In 1965 Kander and Ebb joined forces with Harold Prince and George Abbott on a show called Flora, The Red Menace, which made a star out of nineteen-year-old Liza Minnelli, who won a Tony Award for her performance. In fact, Miss Minnelli and Chita Rivera went on to debut much of their material. The rest is Broadway history: The Happy Time/1968, Zorba/1968, 70, Girls, 70/1971, The Act/1977, Woman of the Year/1981, The Rink/1984, And the World Goes 'Round/1991, Kiss of the Spider Woman/1993, Steel Pier/1997 and The Visit/2001. Most of their collaborations were shows that explored the dark side of relationships, and few resulted in a happy ending.
Their contribution to the film score of Martin Scorsese's New York, New York/1977 yielded one of their most celebrated songs, sung by Liza Minelli in the film; however, it is Frank Sinatra’s cover that has become the most enduring interpretation.
Kander and Ebb – their two surnames were indivisible – it was impossible to say one without the other. Both were openly gay, and it was wrongly assumed by many that they were long-term lovers. In 2003, Kander, who has lived for nearly thirty years with Albert Stephenson (a choreographer and teacher) addressed those rumors in an interview in which he described the nature of his non-professional relations with Ebb as "his 40-year partner in creativity but never in domesticity, much less romance."
After Ebb succumbed to a heart attack in 2004, Kander continued working on the unfinished collaboration Curtains/2007, a murder mystery musical for which David Hyde Pierce won a Tony Award for best actor in a musical. Rupert Holmes supplied additional lyrics to complete the work. Alas, Curtains was not A-list Kander and Ebb. Nevertheless, Kander, who is entering his late 80s, continues to work at his life-long profession. His most recent musical is The Landing/2013, with book and lyrics by Greg Pierce.