Tuesday, October 22, 2013
With a side of legs:
Armstrong first received critical attention for his intimate sharp focus portraits of men, who were either lovers or friends. In the 1990s he began to photograph cityscapes and landscapes in soft focus, to contrast his portraits. Street lights, electric signs and automobiles were reduced to a sensual, mottled blur (collected as All Day Every Day). A series of black/white portraits appeared as The Silver Cord. His most recent art book publication is 615 Jefferson Avenue (2011).
Armstrong’s photographs have been included in numerous group exhibitions here and abroad, in such prestigious venues as the Hamburger Kunsthalle (Germany). A large body of David’s work has appeared in print media: French Vogue, L’Uomo Vogue, Arena Homme+, GQ, Self Service, Another Man and Japanese Vogue, among others. As well, he has contributed to advertising campaigns for a variety of clients, such as Ermenegildo Zegna, René Lezard, Kenneth Cole, Burburry, Puma, and Barbara Bui.
In 1996, Elisabeth Sussman, curator of photographs at the Whitney Museum (NYC), enlisted Armstrong’s help in composing Nan Goldin’s first retrospective. She gained such respect for Armstrong’s eye that she acquired a few of David’s pieces for the Whitney permanent collection. He was subsequently featured in the Whitney 1994 biennial.
David is based in Brooklyn, New York, where his primary subjects remain young boys and men. “It has to do with issues of my own,” he says. “This thing about male youth, this idea that something is fading. I get older and still take pictures of boys that are the age I was when I was first shooting them.”
New York Times interview: